Calgary rockers The Electric Revival get their freak on for their 4th album
1930s film director Tod Browning probably never listened to much heavy music in his day, but he most certainly understood what it meant to stand apart from the crowd. Such was the cinematic bite of his black and white thriller Freaks.
While the three members of The Electric Revival may not have had that cult classic in mind when they named their new album, guitarist-vocalist Ian Dillon, drummer Dallas Lobb and bassist Dan Toews are no strangers to playing the role of disenfranchised misfits who thrive on performing before an awestruck crowd.
“We grew up in Innisfail, about an hour north of Calgary. You could only skateboard four months a year, so there was nothing to do but drink beer and play guitars. It also meant that the garage bands you had to choose from were into either country or metal,” says Dillon. “I met Dallas and Dan in junior high, at age 14, and like most small-town kids we left for the city as soon as we were out of school. We had always been in revolving metal bands over the years, so when we started the group, in 2009, we really wanted to get back to the basics, drums, guitars, amps. We tried to be as primitive as possible and focus on being a solid band.”
It would be three years before the nocturnal trio formally introduced themselves to their audience, raising the curtain on their debut album, Presenting: The Electric Revival, in 2012. The blues-soaked trio decided to keep the ball rolling by releasing a new single every week for 13 weeks that summer. Tightening their grip, The Electric Revival launched their glorious Pirate Radio LP in July of 2013 and followed it up with yet another album, 5 Songs by Electric Revival, four months later. No wonder the band was recently picked up by Cruzer Media. And, achieving international distribution was all the more incentive for Dillon, Dallas, and Dan to dive back into the studio and get their eponymous Freak on.
“The new album was recorded over the course of three weeks, during April of 2014, at Electric Park Studio in Calgary. I produced and engineered the record myself with assistant engineer Jonny Vincent and our pre-production engineer, Steven Lilly. Freaks was recorded live off the floor, together as a band, all in one room using very basic recording techniques… and the best modern digital recording equipment available. We were able to get our hands on a couple of cool synthesizers and used them and the organ a lot on this record, we really like the way it helped fill out the sound.”
Full is an understatement. Freaks kicks off with the explosive howler “My Molly My” a blow-your-hair-back and bury-the-needle joyride that slams into the cerebral cortex like a grasshopper hitting the windshield. Swerving out of the fast lane, the CB heartbreaker “Rolling Stone” postures up for a space truckin’ riff-off that would have Johnny Winter tipping his hat in respect. Southern swelter and soul are grist for the mill on “Wild Child” and “Baby Please (Come Home)”, while the two-edged sword of “Feed My Love” cuts to the drone, scratchin’ for an ‘80s punk fix. Did I just say punk? Yes, it’s in there too!
“The songs are about love, death, freedom, sex, drugs and rock ‘n’ roll, they explore a lot of territory while maintaining The Electric Revival sound. We never want to limit ourselves creatively. We wanted to the extra mile for the new album, so we threw a big party at the studio for about 30 friends. Just like the good old days!”
Available now, Freaks is fated to send epic ripples across The Electric Revival’s smoke-hazed horizons.
See the Electric Revival on February 21st at the Nite Owl with Mammoth Grove, The Rumble and 7’s Wild.
