Tuesday 4 June 2019

Album Review: Jim Cuddy – Countrywide Soul

Jim Cuddy
Countrywide Soul
[Warner Music Canada]



Kicking rocks and turning over fertile ground, Blue Rodeo frontman Jim Cuddy returned to his family farmstead in Southern Ontario to get in touch with his roots and record his latest album.
The rustic rural setting provided a respite from his hectic touring schedule and the ideal environment for capturing the authentic wire-and-wood sound he sought. Joined in his makeshift studio by members of The Jim Cuddy Band, the multi-talented singer/guitarist/producer began reimaging songs from his back catalogue through a stripped-down, yet modern, country music filter.

Unearthing tracks he felt had been previously underdeveloped, Cuddy and company pour liberal doses of draft beer and wheat dust over Blue Rodeo numbers like “Clearer View” and “Draggin’ On.” Tributes to George Jones and Glen Campbell rip a page from the past and lend a high and lonesome mood with covers of “Almost Persuaded” and the star-spangled “Rhinestone Cowboy.” Pretty western ditties two-step and sway in time as Cuddy patches up his sonic scrapbook with a fresh pair of bootcut tunes, “Glorious Day” and “Back Here Again.”
It’s the perfect parting glance for a nostalgic hayride that sets fire to the barn before riding off into the sunset. “Shane, come back!”
04th, June 2019
By Christine Leonard

Album Review: Baroness – Gold & Grey

Baroness
Gold & Grey
[Abraxan Hymns]



From the opening rays of “Front Towards Enemy,” it’s obvious Baroness has risen from their own ashes and come to flourish in the aftermath of a tour bus crash that left the Savannah, Georgia-based heavy metal entity twisted and broken.
Leading the charge, guitar god John Baizley returns to the limelight with a fury. The subject of much interest and speculation, Gold & Grey presents a band that has been reinvigorated by the synergistic presence of incoming guitarist Gina Gleason.
Boasting 17 indefatigable tracks, the dual-toned album shifts smoothly between singles like the sinuous “Seasons” and the hyper-observant “Borderlines.” A naturally intense Baizley perpetuates his examination of the human condition with a long-absent sense of wonder and even enjoyment on “Broken Halo” and “Throw Me an Anchor.”
A gallery of layered vocals and intricate rhythmic patterns elevate “I Would Do Anything” and “Pale Sun” to a level of excellence commensurate with visual artist Baizley’s jaw-dropping album cover murals.
By Christine Leonard
04th, June 2019